Simulation, And the Creation of a “Human World”

In 1964, the literary critic Northrop Frye published a short book, titled The Educated Imagination, in which he tried to summarize his ideas on the relevance of literature to life. In it, he asserted that we all find ourselves confronting a world of nature, which is oblivious to our values and desires. It is a world that is inhuman in shape, manifesting no larger intelligence or morality that we can discern.

Our response to this experience, Frye said, is to turn nature into a “human world” that looks more like home. Although he expresses it somewhat differently, it is obvious from the text that he believed we create this “human world” a number of ways. One way we do so is by reconstructing our physical environment, replacing it with something of our own design. We build roads, farms, cities, and so on. Another way we do so is by producing literature, which allows us to explore alternative models of human experience. Here, instead of re-creating physical reality in our own image, we invent fictional versions of reality that let us see a vision of the world as we can imagine it and as we want it to be.

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The Real Self in a Virtual World

Popular Culture as an Expression of Human Nature   

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Everyone — at least everyone with a reasonably normal mind and brain — has a true self that is partly buried beneath their everyday personality. This self is who each of us is and can become when our natural growth isn’t interfered with by personal and cultural neurosis. It is us at those times when we feel whole and are psychologically strong enough to hear and speak the truth; when we are naturally assertive rather than fearful and aggressive; when we are open to other people and compassionate rather than being manipulative and secretive; and when we are capable of embracing life and enjoying the moment, without regressing into a neurotic secondary personality that is distorted by a defensive battle between fake desires on one side, and self-reproaches, prohibitions, and taboos on the other. It is us when we have a natural, aesthetic, revulsion to evil, including a revulsion to all those behaviors that violate and diminish ourselves and others. And it is us when we express our inherent desire to create and build and care for things, instead of destroying.

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